Student Filming

Cinema Pathways


Plan Your Path in Cinema

Whether you鈥檙e here to launch your filmmaking career or take your first creative leap, 花蜜直播app鈥檚 Cinema program offers a path that fits your goals, timeline, and budget.

Explore certificates and degrees that teach the art and craft of storytelling鈥攂ehind the camera, in the editing bay, and across every phase of production. From quick-start certificates to a full associate degree, each program includes a semester-by-semester guide so you can stay on track from day one.

Not sure where to begin? Start by choosing a goal below:

  • 馃帗 Earn a degree and transfer to a university

  • 馃帴 Get certified in a specific filmmaking skill

  • 铃憋笍 Finish quickly with a low-unit certificate

Scroll down to see all program options鈥攁nd the exact courses to take, semester by semester.

Explore Every Course We Offer

Use this section to explore individual courses in the Cinema and Television programs. You鈥檒l find descriptions, credit info, and links to the degrees or certificates each course applies to.

 

Introduction to Motion Picture Production

Units: 3.0 Units
Transferrable: UC // CSU
Weekly Course Hours: 4 hours per week
Format: In-Person & Online
Prerequisite for: Most Advanced Cinema Classes

Cinema 001 Course Description

Cinema 001 is a comprehensive introduction to basic film and video production techniques and equipment. Students learn the proper use of cameras, lenses, filters, lights, microphones, audio recorders, editing systems, and other motion picture tools. The course also covers production planning and post-production workflows.

This class is required for all Cinema majors but is open to students of any major.

Program Planning Tip

Cinema 001, Cinema 002, Cinema 003, and Cinema 004 are prerequisites for most of the other 花蜜直播app Cinema classes. We recommend that you take them all the first semester so you may continue seamlessly through the program.

Beginning Motion Picture Workshop

Units: 3.0 Units
Transferrable: UC // CSU
Weekly Course Hours: 4 hours per week
Format: In-Person & Online
Prerequisite for: Most Advanced Cinema Classes

Cinema 002 Course Description

Cinema 002 is a hands-on, introductory filmmaking workshop designed to walk you through the full production cycle鈥攕criptwriting, storyboarding, directing, cinematography, sound, and editing. Students create three original short films throughout the semester, gaining practical experience with both production and post-production workflows.

This course is required for all Cinemat majors and open to all interested students. It pairs well with Cinema 001, which covers many of the technical foundations you'll apply here.

Equipment Access & Support

  • Students have access to gear from the 花蜜直播app equipment room

  • Editing labs with industry-standard software are available on campus

  • While personal gear may be used, technical support is only guaranteed for department equipment

Program Planning Tip

Cinema 001, 002, 003, and 004 are the recommended foundation courses for all Cinema students. Taking them your first semester sets you up to move smoothly into intermediate and advanced projects.

The History of Motion Pictures

Units: 3.0 Units
Transferrable: UC // CSU
Weekly Course Hours: 5 hours per week
Format: In-Person & Online
Prerequisite for: Most Advanced Cinema Classes

Cinema 003 Course Description

Explore the rich and evolving history of motion pictures鈥攆rom silent cinema to today鈥檚 blockbusters. This course focuses on the development of the American feature film, with weekly screenings and in-depth discussions that bring film history to life.

Cinema 003 is required for all Cinema majors and open to all students. We strongly recommend taking it during your first semester alongside Cinema 001, 002, and 004 to build a strong foundation for the program.

What To Expect

  • Weekly screenings of landmark fiction films

  • Lectures and discussions on key movements, directors, and historical context

  • Written assignments and/or exams to deepen your understanding of cinema鈥檚 evolution

  • Classes held in our dedicated Morgan Freeman Theater (for in-person sections)

Program Planning Tip

Cinema 001, 002, 003, and 004 are the core courses that set you up for success in the Cinema program. Take them together your first semester to unlock access to advanced coursework.

The History of Documentary Film

Units: 3.0 Units
Transferrable: UC // CSU
Weekly Course Hours: 4 hours per week
Format: In-Person & Online
Prerequisite for: Most Advanced Cinema Classes

Cinema 004 Course Description

What is truth in storytelling? In this course, you鈥檒l explore the history and evolution of documentary filmmaking鈥攆rom early propaganda films to modern reality-based programming. Through screenings and discussion, you鈥檒l analyze documentary styles including historical, animated, educational, commercial, cin茅ma v茅rit茅, and direct cinema.

Cinema 004 is required for all Cinema majors and open to all students. We recommend completing this course in your first semester alongside Cinema 001, 002, and 003.

What To Expect

  • Screenings of landmark and experimental documentaries

  • Lectures and discussions that challenge the idea of objectivity in film

  • Written assignments and/or exams to evaluate critical thinking and comprehension

  • In-person classes are held in our Morgan Freeman Theater

Program Planning Tip

Cinema 001, 002, 003, and 004 are core foundational classes. Taking them all in your first semester gives you full access to the rest of the program.

Introduction to Screenwriting

Units: 3.0 Units
Transferrable: UC // CSU
Weekly Course Hours: 4 hours per week
Format: In-Person & Online
Prerequisite for: Cinema 033, Television 055 (production classes where you can shoot your script)
Prerequisites: Cinema 001, 002, 003, and 004 with satisfactory grade.

Cinema 005 Course Description

This is where your stories come to life. In Cinema 005, you'll learn the foundations of screenwriting through hands-on practice. Students will develop original short film scripts鈥攆rom concept to final draft鈥攑reparing treatments, pitching ideas, and revising based on feedback. This course is a critical step toward producing your work in advanced production classes like Cinema 033 or Television 055.

Note: Attendance is mandatory for the first class session. Enrolled students not present will be dropped. Non-enrolled students may not add if absent.

What To Expect

  • Develop and pitch your story ideas

  • Learn screenplay format and structure

  • Write, revise, and complete short film scripts

  • Prepare to produce your script in future classes

  • Collaborative peer workshops to sharpen your writing

Program Planning Tip

Cinema 005 is the bridge between story and screen. It鈥檚 highly recommended after completing your foundational courses. Many students shoot the scripts they develop here in future production classes.

Motion Picture Photography

Units: 3.0 Units
Transferrable: UC // CSU
Weekly Course Hours: 4 hours per week
Format: In-Person Only
Prerequisite: Cinema 001, 002, 003, and 004 with satisfactory grade
Prerequisite for: Advanced cinematography (Cinema 007)

Cinema 006 Course Description

Cinema 006 introduces students to the core principles of cinematography鈥攆raming, optics, lighting, and visual storytelling. Through individual and group projects, you鈥檒l gain hands-on experience with professional digital cameras and lighting gear, while developing a strong foundation in the technical and aesthetic aspects of visual storytelling.

Note: Attendance is mandatory for the first class session. Enrolled students not present will be dropped. Non-enrolled students may not add if absent.

What To Expect

  • Study fundamental lighting techniques and camera theory

  • Shoot still photography exercises for critique

  • Transition into moving image exercises mid-semester

  • Use school lighting gear for in-class and on-set practice

  • Build your cinematography reel and develop a visual eye

Program Planning Tip

This class lays the technical and artistic foundation for all advanced cinematography courses. If you鈥檙e serious about becoming a Director of Photography or Gaffer, start here.

Advanced Cinematography and Creative Techniques

Units: 3.0 Units
Transferrable: UC // CSU
Weekly Course Hours: 4 hours per week
Format: In-Person Only
Prerequisites: Cinema 006 with satisfactory grade

Cinema 007 Course Description

Lights, camera... espionage? Okay, maybe not exactly鈥攂ut in this advanced course, you鈥檒l feel like the 007 of cinematography. Cinema 007 explores creative and technical approaches to professional motion picture photography. You鈥檒l work hands-on with industry-standard equipment and lighting techniques used across film and television productions.

You鈥檒l experiment with various light sources, master both interior and exterior setups, and complete projects that demand creative precision. Expect to push beyond the basics covered in Cinema 006 as you dive deeper into the artistry of visual storytelling.

This is a rigorous, high-level course, ideal for students serious about cinematography. Assignments include slide projects and a major cinematography exercise鈥攃ompleted using film or digital workflows.

What To Expect

  • Practice lighting setups in a wide range of environments and conditions

  • Use high-end equipment and industry tools

  • Work independently and collaboratively on advanced cinematography exercises

  • Shoot a major visual project in either film or digital

Beginning Motion Picture & TV Sound

Units: 3.0 Units
Transferrable: CSU
Weekly Course Hours: 4 hours per week
Format: In-Person Only
Prerequisites: None

Cinema 009-1 Course Description

Get ready to tune your ears and sharpen your skills鈥Cinema 009-1 is your hands-on introduction to sound for film and television. You鈥檒l learn the fundamentals of production and post-production audio, using professional tools and techniques to capture clean, usable sound on set and in the studio.

Students will gain experience with boom operation, microphone placement, and digital field recorders, and will also explore looping, mixing, and editing sound using industry-standard software.

Whether you鈥檙e aiming to become a sound mixer, editor, or director who understands how to communicate with their sound team, this class lays the essential groundwork.

Open to all students. No prior experience required.

What To Expect

  • Operate professional audio recorders, mixers, and boom microphones

  • Practice mic placement techniques for different environments

  • Capture clean production sound on set

  • Learn post-production workflows including looping (ADR), editing, and mixing

  • Use software to clean and shape sound for your short film projects

Intermediate Motion Picture Sound and Post-Production Sound Design

Units: 3.0 Units
Transferrable: CSU
Weekly Course Hours: 4 hours per week
Format: In-Person Only
Prerequisites: Cinema 009-1 with a satisfactory grade or better

Cinema 009-2 Course Description

Ready to take your sound skills to the next level? Cinema 009-2 dives deeper into the world of post-production audio, giving you the tools and experience to craft immersive, cinematic soundscapes. You鈥檒l use Pro Tools鈩 and other industry software to shape dialogue, sound effects, and music into polished final mixes.

Beyond the technical, this class also emphasizes the creative and aesthetic side of sound design鈥攈ow sound choices affect emotion, mood, and story. It鈥檚 where you learn to think like a sound designer, not just a technician.

What To Expect

  • Hands-on training in Avid Pro Tools鈩 and other digital audio software

  • Sound editing for dialogue, foley, ambience, and effects

  • Mixing multi-track sound sessions

  • Exploring the emotional and narrative power of sound

  • Collaborative post workflows used in real-world production

Introduction to Film Directing

Units: 3.0 Units
Transferrable: UC // CSU
Weekly Course Hours: 4 hours per week
Format: In-Person Only
Prerequisites: Cinema 001, 002, 003, 004 with satisfactory grades or better

Cinema 010 Course Description

Cinema 010 introduces students to the core principles of directing actors and staging scenes for the camera. Whether you're dreaming of directing your first short film or want a stronger grasp of performance and visual storytelling, this class is your entry point.

You鈥檒l select a short script, cast and rehearse actors, and present your scene in class. You鈥檒l also build a production binder that includes:

  • Script notes

  • Scene objectives

  • Character analysis

  • Shot lists

  • Storyboards

This course bridges creative vision with practical execution, helping students better communicate with performers and crew on set. It鈥檚 where you start thinking like a director鈥攂oth artist and leader.

What To Expect

  • Script breakdowns and visual planning

  • Working with actors in rehearsal

  • In-class scene presentations

  • Peer feedback and group discussion

  • Developing your own directing voice

Advanced Film Directing

Units: 3.0 Units
Transferrable: UC // CSU
Weekly Course Hours: 4 hours per week
Format: In-Person Only
Prerequisites: Cinema 010 with satisfactory grade or better

Cinema 012 Course Description

This is a new course for 2025. We will be providing and updating the course description soon!

What To Expect

  • Us to update this page in the next few weeks!

Advanced Motion Picture Post-Production

Units: 3.0 Units
Transferrable: CSU
Weekly Course Hours: 4 hours per week
Format: In-Person Only
Prerequisites: None (Open to all students)

Cinema 017 Course Description

Cinema 017 introduces students to the world of post-production finishing, with a focus on color correction, shot matching, and professional delivery workflows using industry-standard software, DaVinci Resolve.

Whether you鈥檙e a filmmaker, editor, or aspiring colorist, this course will give you the foundational tools and hands-on practice to polish your projects for theatrical, broadcast, and streaming delivery. Students will explore the creative and technical aspects of the color grading process鈥攆rom balancing exposure and color temperature to establishing visual continuity and creative looks.

Through lectures, demos, and hands-on assignments, you'll learn how to:

  • Use scopes and color tools effectively

  • Match shots across scenes

  • Create a cinematic color grade

  • Understand render settings for various delivery platforms

No prior color correction experience is required.

What To Expect

  • Hands-on grading in DaVinci Resolve

  • Shot-matching exercises using professional footage

  • Intro to LUTs, node-based grading, and look development

  • Delivery formatting for theatrical, TV, and online

Introduction to Film Genres

Units: 3.0 Units
Transferrable: UC // CSU
Weekly Course Hours: 4 hours per week
Format: In Person & Online
Prerequisites: None (Open to all students)

Cinema 018 Course Description

From westerns to horror, noir to science fiction, this course explores the foundations and evolution of major film genres. Students will examine how genres reflect culture, shape audience expectations, and influence the work of filmmakers across history. Each week features the screening and analysis of a significant feature-length film that exemplifies key characteristics of a particular genre.

You鈥檒l investigate:

  • The visual and narrative conventions of different genres

  • How genres evolve over time

  • The role of studio systems, marketing, and audience reception

  • Influential directors and their signature contributions to genre filmmaking

Whether you're a film lover or aspiring filmmaker, this course will help you see cinema with a sharper, more analytical eye.

What To Expect

  • Weekly screenings of iconic films from different genres

  • In-class and/or online discussion and analysis

  • Exploration of studio-era Hollywood and modern reinterpretations

  • Assignments and essays focused on genre critique and comparison

  • No prior filmmaking experience required

Business of Motion Picture Production

Units: 3.0 Units
Transferrable: UC // CSU
Weekly Course Hours: 3 hours per week
Format: In Person Only
Prerequisites: Cinema 001, 002, 003, and 004 with satisfactory grades or better

Cinema 020 Course Description

This course dives into the real-world business side of filmmaking鈥攆rom pre-production logistics to pitching a finished package to industry professionals. Students will explore the full lifecycle of a motion picture project, including development, financing, production, and distribution.

You鈥檒l work both individually and in teams to create a professional pre-production business package, including:

  • Treatment and short screenplay

  • Budget and production schedule using professional forms

  • Breakdown sheets and stripboards

  • Business letter and filmmaker bio

  • Storyboards and location sketches

  • A custom movie poster

  • Verbal pitch and final presentation to a guest industry panel

This is a challenging and fast-paced course designed to mirror real-world expectations in the industry. It鈥檚 an essential class for aspiring producers, directors, and filmmakers who want to take their creative work into professional territory.

What To Expect

  • Hands-on experience with budgeting and scheduling tools

  • Group collaboration and pitching practice

  • Realistic timelines and expectations

  • Final project presented to industry professionals

  • Heavily focused on pre-production planning and paperwork

Producing Motion Picture Features

Units: 3.0 Units
Weekly Course Hours: 3 hours per week
Format: In Person Only
Prerequisites: None (Open to all students)

Cinema 025 Course Description

This pre-production-focused course prepares students to take a motion picture from concept to a viable project package. Learn what it takes to bring an independent feature film to life by researching and developing real-world production strategies.

Students will:

  • Develop and evaluate screenplays

  • Research current media and business trends

  • Explore independent film financing models

  • Create business plans and pitch decks

  • Understand legal issues around IP, privacy, and publicity

  • Analyze distribution formats and marketing strategies

  • Study real-world examples of both micro- and low-budget independent films

Whether you're dreaming of producing your own feature or just want to understand the bigger picture, this course provides a foundational roadmap for producers navigating today鈥檚 complex media landscape.

What To Expect

  • Emphasis on research, planning, and real-world case studies

  • Development of a full independent feature project package

  • Exploration of legal, financial, and logistical considerations

  • Individual and collaborative assignments

  • Exposure to professional contracts and industry practices

Editing Fundamentals

Units: 3.0 Units
Weekly Course Hours: 4 hours per week
Format: In Person Only
Prerequisites: None (Open to all students)

Cinema 032-1 Course Description

This hands-on course introduces students to the art and craft of film and television editing. Working primarily on the Apple Mac Studio platform using Adobe Premiere Pro, students will explore both the technical and aesthetic components of editing for narrative media.

You鈥檒l develop foundational non-linear editing skills and analyze how editing choices impact pacing, story, and emotional tone. Assignments will include cutting raw rushes from a variety of real-world projects, as well as evaluating and mimicking scenes from professionally edited films and TV shows.

This course focuses on storytelling through editing, rather than assistant editor workflows or software-specific certification.

What To Expect

  • Weekly editing exercises using Premiere Pro

  • Analysis of professionally edited scenes from film and television

  • Focus on aesthetic and narrative decision-making, not just software skills

  • Access to post-production iMac labs with Adobe Creative Suite installed

  • Feedback on pacing, rhythm, emotion, and visual storytelling

Editing Fundamentals II

Units: 3.0 Units
Transferrable: CSU
Weekly Course Hours: 5 hours per week
Format: In Person Only
Prerequisites: Cinema 32-1 with satisfactory grade or better

Cinema 032-2 Course Description

Take your editing skills to the next level in this advanced post-production course. Students dive into the full editorial process鈥攂uilding on techniques learned in Editing Fundamentals I鈥攚ith a focus on visual effects, motion graphics, sound design, color correction, and project finishing.

Using both Adobe Premiere Pro and Avid Media Composer, students will gain confidence working in industry-standard tools while learning about real-world workflow practices, from ingest to final export. The course offers an opportunity to earn Avid Certified Editor credentials.

Assignments include editing instructor-provided footage and integrating personal footage for creative projects. Students will regularly screen and critique work in class to refine their editing choices and technical precision.

What To Expect

  • Advanced projects involving color grading, transitions, compositing, and more

  • Weekly in-class technique demonstrations and creative critiques

  • Industry-standard workflow using Adobe and Avid

  • Guided preparation

Digital Video Production Workshop I & II

Units: 3.0 Units
Transferrable: CSU
Weekly Course Hours: 5 hours per week
Format: In Person Only
Prerequisites:

  • Cinema 33-1: Cinema 1, 2, 3, and 4 with satisfactory grades or better.

  • Cinema 33-2: Completion of Cinema 33-1 with a satisfactory grade or better.

Cinema 033-1 & 033-2 Course Descriptions

These intermediate workshops are designed for students ready to apply their skills in a more independent, production-focused setting. Students will produce one or more short narrative or documentary-style films to serve as professional samples for festivals, portfolios, crowdfunding platforms, and more. Emphasis is placed on storytelling, creative development, and production value.

Cinema 33-1 focuses on introducing students to the process of pre-production, directing, cinematography, and editing in a collaborative environment. In Cinema 33-2, students dive deeper into the craft by refining their work through more complex storytelling, advanced techniques, and expanded crew roles.

What To Expect

You鈥檒l conceptualize, pitch, plan, shoot, and edit short films with guidance and feedback from instructors. Projects can range from personal passion pieces to polished portfolio work. Collaborative teamwork is key, and students are encouraged to take on roles in each other鈥檚 projects.

Access to the department鈥檚 equipment room includes professional-grade cameras, audio gear, lighting kits, and grip equipment. Post-production is completed using our on-campus editing labs featuring Adobe Premiere Pro and other industry-standard software. 

Pro Tip: We highly recommend taking Cinema 025 鈥 Producing Motion Picture Features before jumping into Cinema 033. Students who take 025 first usually come into 033 with a solid game plan鈥攁nd it shows. Their projects tend to be more developed, more organized, and often end up winning Best of Semester at the end-of-term showcase.

The Motion Picture Grip

Units: 3.0 Units
Weekly Course Hours: 4 hours per week
Format: In Person Only
Prerequisites: None (Open to all students)

Cinema 038-1 Course Description

Cinema 38-1 is a hands-on introduction to the world of professional grip work 鈥 the unsung backbone of every film set. From studio environments to rugged on-location shoots, students will master the tools and techniques used to control and shape light safely and efficiently.

Topics include:

  • Proper use of stands (C-Stands, Juniors, Babies, Overheads)

  • Flags, nets, butterflies, gels, and diffusion

  • Dolly and rigging setups

  • Set etiquette, crew roles, and staging area protocols

  • Aerial lift and ladder safety

  • Grip tools and knot tying techniques

  • Light manipulation for creative and practical effect

This course is designed to mirror the expectations and pace of a professional film set, providing real-world skills that transfer directly into the industry. Students will rotate through different roles to gain confidence in grip responsibilities, safety, and terminology.

What To Expect

You鈥檒l be working on set鈥攍earning by doing. Most sessions take place in our sound stages or backlot-style environments using professional grip and rigging equipment. Expect to be on your feet, problem-solving, and collaborating with others as you train in one of the most critical technical crafts in filmmaking.

The Motion Picture Electric

Units: 3.0 Units
Weekly Course Hours: 4 hours per week
Format: In Person Only
Prerequisites: None (Open to all students)

Cinema 038-2 Course Description

Cinema 38-2 is a hands-on training course in set lighting and electric 鈥 the craft of powering and shaping the light behind every professional production. Students learn to operate motion picture lighting equipment safely and creatively, both in studio and on location.

Skills covered include:

  • Electrical safety and power fundamentals

  • Types of motion picture lighting (tungsten, HMI, fluorescent, LED)

  • Lighting design, objectives, and creative approaches

  • Load calculations and power distribution

  • Cables, rigging, and stands used in the electric department

  • Meters, knots, aerial lifts, and staging area management

  • Set etiquette, crew roles, and tools of the trade

Whether your goal is to become a set electrician or a cinematographer, this course provides critical insight into how lighting choices and control systems influence every frame.

What To Expect

You鈥檒l gain hands-on experience with real-world lighting setups, working with high-output fixtures and learning how to plan and manage power on set. Expect to work collaboratively, problem-solve, and safely handle equipment under instructor guidance. Optional lab time is available to dive deeper into practical rigging and lighting strategies.

Entertainment Industry Careers, Below-the-Line Production Skills

Units: 3.0 Units
Weekly Course Hours: 4 hours per week
Format: In Person Only
Prerequisites: None (Open to all students)

Cinema 060 Course Description

Break into the film and television industry with this hands-on introduction to below-the-line production skills. Whether you're aiming to be a PA (Production Assistant) or exploring other on-set roles, this course gives you the foundation to step onto a professional set with confidence.

You鈥檒l learn how to support and collaborate with key departments:

  • Production Managers

  • Assistant Directors

  • Script Supervisors

  • Production Designers

The class also covers essential safety practices and professional etiquette that are expected on union and non-union sets alike.

What To Expect

This is a skills-based course rooted in real-world industry workflows. You鈥檒l practice how to properly lock down a set, manage paperwork, track continuity, assist with production logistics, and support various crew positions. Expect interactive workshops, mock set exercises, and guest speakers who bring firsthand experience from working sets.

Perfect for students interested in launching their industry careers quickly, Cinema 60 is an ideal first step toward becoming a reliable crew member 鈥 and may even help you land your first gig.

Media Aesthetics and Design for Film and Digital Media

Units: 3.0 Units
Transferrable: UC // CSU
Weekly Course Hours: 4 hours per week
Format: In Person Only
Prerequisites: None (Photography 007 Recommended)

Cinema 501 Course Description

Cinema 501 explores the art and language of visual storytelling across film, television, advertising, social media, and fine art. You鈥檒l dive into the building blocks of media aesthetics 鈥 composition, color, editing, sound, and design 鈥 and examine how these elements shape meaning and emotion in both narrative and experimental works.

This course emphasizes critical analysis of form, content, genre, and ideology through a global lens, exploring national cinemas, film movements, and evolving digital landscapes. It's ideal for cinema, photography, and graphic design students, as well as anyone interested in understanding how media communicates visually.

What To Expect

You鈥檒l learn to interpret visual media like a filmmaker 鈥 thinking beyond story and into structure, symbolism, and style. Expect dynamic lectures, film screenings, group discussions, and analytical writing assignments. Whether you're an aspiring director, editor, or designer, this course will sharpen your visual literacy and creative instincts.

Law & The Media

Units: 3.0 Units
Weekly Course Hours: 3 hours per week (typically offered in Spring)
Prerequisites: None (Open to all students)

Law 033 Course Description

In this essential course for anyone working in media, students explore the legal foundations that shape how content is created, distributed, and protected in the entertainment industry. Learn how the U.S. legal system intersects with film, television, journalism, and digital media 鈥 from the First Amendment to intellectual property, defamation, privacy, censorship, and more.

Whether you're a filmmaker, producer, influencer, or content creator, this course offers real-world insight into your rights and responsibilities as a media professional.

What To Expect

You鈥檒l gain a practical understanding of the American legal system, how courts interpret media law, and the reasoning behind the rules that guide mass communication. The course is lecture-based with readings, discussions, and case studies.

Ready to Join Us?

Stop By, Say Hi!

馃搷 HFPA Center for Cinema and Television
855 N Vermont Ave
Los Angeles, CA 90029

Curious? Let's chat.

Dr. Krystle Klein | Department Chair
Email: @email
Phone: (323) 953-4000 ext. 2632


 

CINEMA 1 - INTRODUCTION TO MOTION PICTURE PRODUCTION (3 UNITS-UC/CSU)

(4 hours per week during Fall and Spring Semesters)

Filmmaker's Handbook 2012

A comprehensive introduction to basic film and video production techniques and equipment. Proper procedures are explained for the use of cameras, lenses, filters, film stocks, lights, microphones, audio recorders, editing systems, and other motion picture equipment. Attention is also given to production planning and post-production as well. Cinema 2 should be taken concurrently if possible. Required of all Cinema majors; open to all others. This class is offered in-person and online.

Cinema 1, 2, 3, and 4 are prerequisites for most of the other 花蜜直播app Cinema classes. We recommend that you take them all the first semester so you may continue seamlessly through the program.

Required textbook: The Filmmaker's Handbook: A Comprehensive Guide in the Digital Age by Ascher and Pincus, 2019 ISBN:978-0-452-29728-9

CINEMA 2 - BEGINNING MOTION PICTURE WORKSHOP (3 UNITS-UC/CSU)

(5 hours per week during Fall and Spring Semesters)

Introductory workshop in practical filmmaking. A lecture and laboratory workshop including script, storyboard, direction, cinematography, sound, and editing techniques. Each student will be responsible for making short films. Required of all cinema majors. Open to all others. We suggest taking Cinema 1 concurrently where much of the technical information will be taught.

Cinema 1, 2, 3, and 4 are prerequisites for most of the other 花蜜直播app Cinema classes. We recommend that you take them all the first semester so you may continue seamlessly through the program.

During the semester, each student will write, direct, and produce three films. Students can rent equipment from our department's equipment cage, and we have editing stations (iMac's with video editing software), so if you don't have your own editing system, we have stations for you to complete your projects. There is no need to buy expensive equipment for this class; any smart phone that shoots video, digital video camera and recent computer (PC or Mac) will generally be just fine although there may be some technical limitations. Consult with your instructor or technical staff. This equipment can be used in subsequent classes as well. We suggest that you withhold purchasing any equipment for this class until you attend the first class meeting to get more information. (Please note: While we can give full technical support for our equipment, there will be limitations with support for your own personal system.) Cinema 2 is offered both day and night each semester both in-person and online.

For your convenience, there are several sections of this class each Fall and Spring. No required book, but the Cinema 1 book "The Filmmakers Handbook" might be referenced. 

Required materials: Smartphone or other video camera or DSLR. SD memory card(s) for the 花蜜直播app Zoom & Vixia cameras. You may incur other expenses when producing your projects, but costs vary depending upon circumstances. If you purchase your own digital video camera, camera tripod, and computer with software, the costs can be considerably higher depending upon the equipment you choose. Many students use smartphones with video capacity for this class

CINEMA 3 - THE HISTORY OF MOTION PICTURES (3 UNITS-UC/CSU)

(4 hours per week during Fall and Spring Semesters)

History of the development of motion pictures, with examples, from their beginnings to the present day. Emphasis is placed on the American feature film. Required of all first semester cinema majors; open to all students. Note: This class is offered in Face-To-Face and online formats.

Cinema 1, 2, 3, and 4 are prerequisites for many of the other 花蜜直播app Cinema classes. We recommend that you take them the first semester.

In addition to lectures on film history, fiction films from the silent era to the modern day will be screened weekly and discussed in our theater. Students will write papers and/or take tests. This class is offered both day and evening each semester. Note: This class is offered in-person and online.

Required textbook: A Short History of Film by Dixon and Foster ISBN: 978-0-8135-4270-6

Other materials required: Paper for note taking. Some instructors will require Scantron forms.

CINEMA 4 - HISTORY OF THE DOCUMENTARY FILM (3 UNITS-UC/CSU)

(4 hours per week during Fall and Spring Semesters)

The development of films dealing with the truth and reality TV programing. Film types seen and discussed include: historical, animated, propaganda, educational, commercial, cinema verite and direct cinema. Students will develop critical standards for judging documentary films. Required of all first semester cinema majors. Open to all others. Note: This class is offered in-person and online.
Cinema 1, 2, 3, and 4 are prerequisites for many of the other 花蜜直播app Cinema classes. We recommend that you take them the first semester.

Held in our theater, you will view a variety of documentary films. You will write papers and/or take tests. This class is offered both day and night each semester.

Required textbook: A New History of the Documentary Film - Second Edition by Betsy McLane. ISBN 1441124578 

Other materials required: Paper for note taking. Some instructors will require scantron forms.

CINEMA 5 - INTRODUCTION TO SCREENWRITING (3 UNITS-CSU)

(4 hours per week during Fall and Spring Semesters)

Course work consists of writing short screenplays. Cinema majors will write scripts for the films they will make in Cinema 33 or Television 55.

Note: Enrolled students will be dropped and non-enrolled students may not add if not present at the first class session.

Prerequisites: Cinema 1, 2, 3, 4 with satisfactory grades or better.

You will write scripts for short films that you may produce in Cinema 33 or Television 55. You will pitch your proposals to the class, prepare treatments, and then write and revise complete scripts. Offered day and night each semester.

Required textbook: Writing Short Films: Structure and Content for Screenwriters by Linda J. Cowgill, Lone Eagle, Second edition, 2005. ISBN-10: 1580650635.

CINEMA 6 - MOTION PICTURE PHOTOGRAPHY (3 UNITS-UC/CSU)

(4 hours per week during Fall and Spring Semesters)

Introduction to cinematography, including optics, camera operation, lighting, laboratory procedures, terminology, and aesthetics. Students will do individual and group projects using digital camera equipment.

Note: Enrolled students will be dropped and non-enrolled students may not add if not present at the first class session.

Prerequisites: Cinema 1, 2, 3, 4 with satisfactory grades or better.

The class will study the basics of composition with an emphasis on lighting. During the first half of the semester, each student will shoot still photos which will be viewed by the class and graded by the instructor. In the second half, each student will shoot cinematography exercises. Costs (other than textbook) vary between $50 - $300 depending upon scope of the projects. The student is expected to furnish his/her own camera for the still film and/or digital exercises. The school will provide lighting equipment.

Required Textbook: Cinematography Theory and Practice, 2nd Edition by Blain Brown, Focal Press.

CINEMA 7 - ADVANCED CINEMATOGRAPHY AND CREATIVE TECHNIQUES (3 UNITS - CSU)

(4 hours per week )

An advanced course in creative cinematography covering professional equipment and techniques used in the motion picture industry. Emphasis is placed on lighting and current industry standards.

Note: This class is offered in-person only.

Prerequisite: Cinema 6 with satisfactory grade or better.

 

Cinematography: Theory and Practice by Blain Brown

The student will shoot a variety of slide projects but differing greatly from those in Cinema 6. The class will practice lighting in all types of conditions and locales (exterior and interior), from a variety of different light sources. Each student will additionally complete a cinematography exercise either in film or digital. Costs vary between $100 - $500 depending upon scope of projects. This class is very challenging. Offered during the evening only.

Required Textbooks: Cinematography: Theory and Practice 2nd Edition by Blain Brown, - Focal Press - ISBN-978-0-240-81209-0. The Visual Story, 2nd Edition by Bruce Block ISBN: 978-0-240-80779-9.

CINEMA 9-1 - BEGINNING MOTION PICTURE AND TV SOUND (3 UNITS-CSU)

(4 hours per week)

Students learn the basics of motion picture production and post-production sound. Students use digital audio recorders, microphones, and booms and learn how to properly record sound. Students learn to loop and mix sound using a digital audio program.

Note: Enrolled students will be dropped and non-enrolled students may not add if not present at the first class session.

Prerequisite: NONE

Cover of the Location Sound Bible by Ric Viers

The student will learn the basics of production and post-production motion picture sound. Each will master the operation of various digital recorders as well as microphone placement and booming. Post-production techniques will be studied. Total cost of materials for class is approximately $100.

Required textbooks: The Location Sound Bible by Ric Viers

CINEMA 9-2 - INTERMEDIATE MOTION PICTURE SOUND AND POST PRODUCTION SOUND DESIGN (3 UNITS-CSU)

(4 hours per week)

Prerequisite: Cinema 9 or 9-1 with satisfactory grades or better.

Intermediate television and cinema students are introduced to audio production, post-production software (ProTools鈩), and other elements of sound design to create final soundtracks for media productions. This course explores in depth aesthetic concepts and real world audio craftsmanship. This class is typically offered every other semester.

Required textbooks: The Location Sound Bible by Ric Viers.

CINEMA 10 - INTRODUCTION TO FILM DIRECTING (3 UNITS-UC/CSU)

(4 hours per week during Fall and Spring Semesters)

This is an introduction to the crafts of acting and directing for the film medium. Students will choose a script, cast it, rehearse their actors, and present a scene in class, along with a production package including script notes, scene goals, character analysis, storyboard, and shot list.

Prerequisites: Cinema 1, 2, 3, 4 with satisfactory grades or better.

See Instructor for list of suggested texts.

Cinema 17 - Advanced Motion Picture Post-Production (3 UNITS)

An introductory course in post production finishing that covers the process of basic color correction, shot matching and the workflow required to create a final theatrical and broadcast delivery using DaVinci Resolve.Open to all Students

CINEMA 18 - INTRODUCTION TO FILM GENRES (3 UNITS-UC/CSU)

Students explore the main film genres along with the specific contributions of the major filmmakers in each genre, and the style and practices of studio production, marketing, and distribution. Each class includes the screening of a signification feature-length film that typifies or exemplifies that genre.

Book: An Introduction to Film Genres - Friedman et al.

Note: This class is offered in-person and online.

Open to all Students

CINEMA 20 - BUSINESS OF MOTION PICTURE PRODUCTION (3 UNITS-UC/CSU)

(3 hours per week during Fall and Spring Semesters)

Students survey business practices of the motion picture industry, including the development, financing, production, and distribution of media content. Through individual and group collaboration in a workshop setting, students create a pre-production business package including a treatment, screenplay, business letter, bio, AD breakdown, production strip board, schedule, budget, storyboards, location sketches, and movie poster. Students work in groups to create and deliver a verbal pitch and presentation for a short film to an industry panel.

Prerequisites: Cinema 1, 2, 3, 4, with satisfactory grades or better.

Many business aspects of film production are covered in this very comprehensive and challenging class. The instructor will emphasize the budgeting and scheduling of a motion picture using professional production forms and methods.

Required Textbook: Scheduling and Budgeting your Film - A Panic-Free Guide by Paula Landry

CINEMA 25 - PRODUCING MOTION PICTURE FEATURES (3 UNITS)

This is a pre-production class.

Students research and prepare independent motion picture projects. Activities include: developing screenplays, researching state of the art media and business issues, analyzing professional production solutions, and creating business plans. Students will learn professional standards for intellectual property, privacy and publicity rights, as well as financing contracts, production issues, capture, distribution formats/outlets, and marketing. Students do case studies of contemporary "independent film" projects, including micro-budget films as well as low-budget films.

Open to all Students

CINEMA 32-1 - EDITING FUNDAMENTALS I (3 UNITS-CSU)

(4 hours per week during Fall and Spring Semesters)

Intermediate students develop editing skills using basic non-linear digital equipment.

Prerequisites: Cinema 1, 2, 3, 4, with satisfactory grades or better.

The student will work Apple Mac platforms to learn editing techniques. Primary work is done in Adobe Premiere鈩, The class emphasis will be on improving aesthetic editing skills, not software or assistant editing procedures. Projects will include cutting rushes from various films and TV shows and will be graded for correct editing. fundamentals. Scenes from feature films will be analyzed and basic editing techniques discussed.

No Required Textbook.

CINEMA 32-2 - EDITING FUNDAMENTALS II (3 UNITS-CSU)

(5 hours per week during Fall and Spring Semesters)

Students develop advanced editing techniques and gain practical skills in visual effects, motion graphics, compositing, sound design, color correction, and finishing. Students gain workflow knowledge and explore the entire post-production process through footage provided in class and their own footage. Student will work in Adobe Premier鈩 and Avid鈩, with a possibility to become and AVID鈩 certified editor at the end of the class. Work will be screened and analyzed in class, and advanced techniques will be demonstrated and applied.

Prerequisites Cinema 32-1 with satisfactory grades or better.

 

No Required Textbook. 

 

CINEMA 33-1 and 33-2 - DIGITAL VIDEO PRODUCTION WORKSHOP I & II (3 UNITS-CSU)

(5 hours per week during Fall and Spring Semesters)

Intermediate film and television students will produce short video projects that can be used as their calling card in the industry. Many students submit work from this class into film festivals or online for crowdfunding, portfolios, and more.

Prerequisites: Cinema 1, 2, 3, 4 or 33-1 (for 33-2) with satisfactory grades or better.

The student will shoot and edit one to two projects that showcase their skills and creativity gained throughout the program.

CINEMA 38-1 - THE MOTION PICTURE GRIP (3 UNITS)

Uva's Basic Grip Book by Michael Uva

In this hands-on course, students learn basic grip skills and safe operation of grip equipment and tools presently in use in motion pictures, both in studio and on location. The equipment, tools, and safe practices include, but not are not limited to: C-Stands, Jr. Stands, Baby Stands, Overhead Stands, Flags, Nets, Diffusion, Butterflies, Gels, Diffusion, Aerial Lifts, Ladders, Dollies, Camera Support, Rigging, Knots, Cutting and Shaping Light, Manipulating Light, Lists and Schedules, Maintaining a Staging Area, Set Etiquette, Crew Hierarchy, Tools of the Trade, and Set Safety.

Note: This class is offered in-person only.

CINEMA 38-2 - THE MOTION PICTURE ELECTRIC (3 UNITS)

Uva's Basic Grip Book by Michael Uva

In this hands-on course, students learn basic electric skills and safely operate electric / lighting equipment and tools presently used in entertainment industry both in studio and on location including, but not limited to Various Stands Used in the Electric Department, Use of Various Motion Picture Lights (tungsten, fluorescent, HMI and LED), Aiming and Positioning Lights, Types of Power, Load Calculations, Power Distribution and Management, Cabling, Electricity and Power Fundamentals, Electrical Rigging, Lighting Objectives and Methods, Manipulating Light, Creating Lists and Schedules, Knots, Ladder and Aerial Lifts, Meters, Maintain a Staging Area, Set Etiquette, Crew Hierarchy, Tools of the Trade and Set Safety.

Note: This class is offered in-person only.

These courses (38-1 and 38-2) can be taken in any order. The electric class can be taken first or the grip class can be taken first. This is to allow students more hands-on experience than a single semester. (4 hours per week plus optional labs during Fall and Spring Semesters)

No Prerequisites

Required textbooks: The Grip Book, 4th Edition by Michael G. Uva. Focal Press. Set Lighting Technician's Handbook, 4th Edition by Harry C. Box. Focal Press

CINEMA 60 - ENTERTAINMENT INDUSTRY CAREERS BELOW-THE-LINE PRODUCTIONS SKILLS I (3 UNITS)

(4 hours per week during some semesters)

This introductory course is designed to help students develop the skills needed to obtain and keep a position in the motion picture and television industries. Skills taught include working with production managers, first assistant directors, production designers, and script supervisors, with a focus on basic safety issues relevant to each department. Learn how to be a PA (Production Assistant)

No Prerequisites

Required textbooks: The Complete Film Production Handbook, Fourth Edition, ISBN-10: 024081150X Eve Light Honthaner 2010

CINEMA 501 - MEDIA AESTHETICS AND DESIGN FOR FILM AND DIGITAL MEDIA (3 UNITS-UC/CSU)

(4 hours per week during Fall and Spring Semesters)

The student learns the analysis of film and modern visual media, including the cinema, television, the internet, advertising, social networking, and fine art. The student learns to examine the broad questions of form and content, aesthetics and meaning, and history and culture, exploring the diverse possibilities presented by the cinematic art form through an examination of a wide variety of productions, national cinemas, and film movements. Topics include modes of production, narrative and non-narrative forms, visual design, editing, sound, genre, ideology, and critical analysis. This course is recommended for all cinema and photography majors, and is open to graphic artists as well as the general public.

No Prerequisites (Advisory: Photography 7)

Required textbooks: The Visual Story: Creating the Visual Structure of Film, TV and Digital Media, Bruce Block 2007. Film Art: An Introduction, Bordwell and Thompson 2012.

COOPERATIVE EDUCATION AND WORK EXPERIENCE: Cinema 911, 921, 931, 941 (1 - 3 UNITS - CSU)

Film and Television students receive credit for acceptable internships in the industry under the direction of supervising Cooperative Education director. Students meet virtually with the director and keep a diary of their work. Internship opportunities are made available to the Cinema-Television Department, but it is the responsibility of the student to secure one. This course is offered every semester and is repeatable. No textbook. The student must be enrolled in seven or more units at 花蜜直播app (which may include up to four Co-op Ed units).

LAW 33 - LAW AND THE MEDIA (3 UNITS-UC/CSU)

(3 hours per week during some Spring semesters)

An overview of the legal aspects of the entertainment industry. Students learn the federal, state, and local laws that most directly affect mass communication in the United States, focusing on: a basic understanding of the American legal system, its institutions, and some of its terminology; a broad understanding of First Amendment principles as they relate to mass communication; and a working knowledge of the laws that directly restrict or enhance information gathering and message dissemination in the mass media, and an understanding of the rationales behind those laws.

This lecture class is offered by the Law Department and is an option for the Cinema Production Certificate.